Wednesday 27th June 2012
The Gay Mother and I gained Bath on Saturday at 1.10pm for the family wedding. A filthy sign outside the nasty posh pub opposite the church said ‘Food Fully Booked.’ After a scene, we wrested a tuna and spring onion wich and a chicken mango and avo wich for the Gay Mother. ‘Mango’s off,’ they said. ‘Thank God,’ said the Gay Mother. I’ve seen an identical sandwich list (Greek Salad wich, Fish Finger wich), identical in content and appearance, in a similar posh pub in Hertfordshire, also full of vicious families hanging low over full fat menu options, gloating in sour triumph for having booked everything.
A bit of the tuna and spring onion wich dropped onto the trousers of my new dove-blue polyester (slight shimmer and slub) Topman suit (about which there’s a back-story, yet to be revealed), so in the official car with Xenon driving lights, I struggled into my new Japanese black suit with silk facings and made of a jersey fabric, which I got at The Library (40% off).
I wasn’t so sure about it once on. Threads. Bits. It’s going to be one of those.
Anyway the Bridal pair had all the Coronation music played for their entrance and exit: ‘I was Glad’ and ‘Zadok the Priest’.
Let us hope for their happiness. The wedding was charming, not least for simple under-stated speeches and lack of ramming down the throat of self-important coupledom. ‘I realised I’d fallen in love,’ the Groom announced at the microphone. ‘I thought, “Oh dear”.’
Yes, exactly.
It’s strange because the other day in Paris Harry Rollo, the world-class impressario and performance artist, was saying there can only be one wedding, one marriage, whether enduring or not. This is so true. In my case, I was near married to Anthony Mottram, consultant of Prague, for 42 years. Now he has married someone else. There is just one person; there is also a complex web of relationships and not just one person.
On that paradox, I dance.
Cousin Barley was in an Alice Temperley black-lace-web-over-crushed-strawberry-satin mini-dress; Aunt Lavinia wore a vintage (1980s)Anna Belinda of Oxford – a padded, fitted bodice, fuller skirt and sleeves with borders at the hem and cuffs – quite a Janacek look if the people in those operas had had a bit more money and sense of fun.
Come later for the Bath graveyard and lavish coverage of my summer sales experience
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